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artandopinion:

The Archers
Nicolas Beatrizet

artandopinion:

The Archers

Nicolas Beatrizet

theclearlydope:

Morning Commute Pro Tip: Always use the water slide lane. 

theclearlydope:

Morning Commute Pro Tip: Always use the water slide lane. 

(Source: transviadagem, via fuckyeahdementia)

iheartmyart:

‘Ephémère’, Percevale Perks directed by Bart Hess, 2011

(via showstudio)

iheartmyart:

‘Ephémère’, Percevale Perks directed by Bart Hess, 2011

(via showstudio)

I still see myself socially inept

nataliakoptseva:

Gustave Dore
Dante Alighieri. The Divine Comedy.
The hell

nataliakoptseva:

Gustave Dore

Dante Alighieri. The Divine Comedy.

The hell

cavetocanvas:

Joel-Peter Witkin, Man with No Legs, 1984
From the Cleveland Museum of Art:

For almost four decades, Witkin has staged and photographed bizarre scenes, often incorporating people with physical deformities and severed limbs. Referring to art history and classical mythology, he manipulates his prints to create the rich surface quality usually acquired through age. Although Witkin’s photographs focus on disenfranchised members of society, they also reveal the humanity of his subjects.

cavetocanvas:

Joel-Peter Witkin, Man with No Legs, 1984

From the Cleveland Museum of Art:

For almost four decades, Witkin has staged and photographed bizarre scenes, often incorporating people with physical deformities and severed limbs. Referring to art history and classical mythology, he manipulates his prints to create the rich surface quality usually acquired through age. Although Witkin’s photographs focus on disenfranchised members of society, they also reveal the humanity of his subjects.

cavetocanvas:

Joel-Peter Witkin, Mother and Child, New Mexico, 1979

cavetocanvas:

Joel-Peter Witkin, Mother and Child, New Mexico, 1979

artandopinion:

The Archers
Nicolas Beatrizet

artandopinion:

The Archers

Nicolas Beatrizet

theclearlydope:

Morning Commute Pro Tip: Always use the water slide lane. 

theclearlydope:

Morning Commute Pro Tip: Always use the water slide lane. 

(Source: transviadagem, via fuckyeahdementia)

iheartmyart:

Christian Schloe - Portrait of a Heart (2013)
(via likeafieldmouse)

iheartmyart:

Christian Schloe - Portrait of a Heart (2013)

(via likeafieldmouse)

iheartmyart:

‘Ephémère’, Percevale Perks directed by Bart Hess, 2011

(via showstudio)

iheartmyart:

‘Ephémère’, Percevale Perks directed by Bart Hess, 2011

(via showstudio)

(Source: laesquinalatina)

(Source: asscash, via vanitasominus)

I still see myself socially inept

(Source: chvnx, via iheartmyart)

(Source: jump-gate)

nataliakoptseva:

Gustave Dore
Dante Alighieri. The Divine Comedy.
The hell

nataliakoptseva:

Gustave Dore

Dante Alighieri. The Divine Comedy.

The hell

cavetocanvas:

Joel-Peter Witkin, Man with No Legs, 1984
From the Cleveland Museum of Art:

For almost four decades, Witkin has staged and photographed bizarre scenes, often incorporating people with physical deformities and severed limbs. Referring to art history and classical mythology, he manipulates his prints to create the rich surface quality usually acquired through age. Although Witkin’s photographs focus on disenfranchised members of society, they also reveal the humanity of his subjects.

cavetocanvas:

Joel-Peter Witkin, Man with No Legs, 1984

From the Cleveland Museum of Art:

For almost four decades, Witkin has staged and photographed bizarre scenes, often incorporating people with physical deformities and severed limbs. Referring to art history and classical mythology, he manipulates his prints to create the rich surface quality usually acquired through age. Although Witkin’s photographs focus on disenfranchised members of society, they also reveal the humanity of his subjects.

cavetocanvas:

Joel-Peter Witkin, Mother and Child, New Mexico, 1979

cavetocanvas:

Joel-Peter Witkin, Mother and Child, New Mexico, 1979

About:

Memory at the molecular level
Art,
Bicycles,
Movies,
Insanity,
etc....

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